Why I Write In Neo-Noir

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I adore Star Wars and other science fiction and fantasy tales, but that’s not what my inner writer enjoys.

My inner writer likes light and shadows.

He likes big cities and jazz.

He likes alternative rock soundtracks set over lonely highways.

He likes running from cafés in broad daylight and confrontations on the bad side of town at a quarter to midnight.

He likes troubled heroes ready to get back into action and panicked damsels who’ve made morally questionable choices.

He likes individuals fighting corrupt organizations, and he likes the tired heroine getting trapped with the psychopath.

He deals with anxiety, paranoia, isolation, having to go on the run, and digging through layers to find the truth.

He’s a film noir fanboy with a neo-noir flair.


On that note, I’d like to offer a quick and dirty list of films and TV shows that I think fall square into the neo-noir mix, with one or two genre overlaps. Some of these stories have stuck with me for a long time, and in many ways, they’re a big influence on why I write what I do.

Blade Runner (1982). Directed by Ridley Scott. Written by Hampton Francher and David Peoples.

Oldboy (2003). Directed by Park Chan-wook. Written by Hwang Jo-yoon, Lim Joon-hyeong, and Park Chan-wook.

Collateral (2004). Directed by Michael Mann. Written by Stuart Beattie.

No Country for Old Men (2007). Directed and adapted by Joel and Ethan Coen. Based on the 2005 novel by Cormac McCarthy.

Jessica Jones Season 1 (2015). Created by Melissa Rosenberg. Based on the comic series by Brian Michael Bendis and Michael Gaydos.

Altered Carbon (2018). Created by Laeta Kalogridis. Based on the 2002 novel by Richard K. Morgan.

If you have any additions or other recommendations about neo-noir media, please feel free to leave it in the comments below.

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