Virtual Ghosts, Memories, and Lost Innocence

I’ve been focused on this image for a while now. Picture, if you will, a young man or woman, full of life and cheer and optimism. Now imagine that person’s essence being ripped out from their mortal shell. Imagine the memory of their former selves being twisted into a nightmarish ghost, a terrible wraith to suit someone else’s mad dreams. And though their former self may rear their pitiful little head from time to time, they must sink back into the abyss, unable to scream while their cold twisted persona carries on with cruel and thoughtless deeds…

No, this isn’t the premise of a serial killer film. It’s actually a plot twist that I’ve come to recognize in a few different stories. We learn that an iconic character (usually a villain) was once a sweet and kinder person. It’s a lot like the famous twist behind Darth Vader being Anakin Skywalker, but instead of becoming evil, they were forced into it. Innocence was corrupted, memories were buried, and they do cruel things to the heroes of their stories because that’s all they know.

I want to investigate this archetype a little further, so I’ll get into three particular characters who exemplify this path, while giving a comparison between all three.

As a warning, the following contains spoilers for Red Vs. Blue, Portal 2, and Adventure Time.

Case No. 1: Tex (Red vs. Blue)

Copyright 2012 by Rooster Teeth Productions
Copyright © 2012 by Rooster Teeth Productions

In the ongoing webseries Red Vs. Blue, a pair of teams in SPARTAN armor bicker, avoid work, and get thrown into the middle of several sinister conspiracies and military plots. For the first 10 seasons of the show, all these plots center on the elite military force known as Project Freelancer, best exemplified by the badass female fighter known as Agent Texas—or simply “Tex.”

After Season 6, we learn more about the origins of two main characters, Church and Tex. While Church was based on an AI copied from the mind of the Director, Tex was based off the Director’s memory of the woman he loved most—Allison—whom he lost to the war. The memory of her death resulted in the creation of Tex, who has tried to save Church (or “The Alpha”) over and over again. But as characters like Church and Wash point out, Tex’s chief attribute is failure because that’s what the Director remembers most about Allison: how she failed to come home.

When we first meet Tex in RvB, we’re presented with the deadliest warrior in the show, an unstoppable Valkyrie with a gun in each hand. But as the show’s mythology unfolds, what we learn is that the legend falls apart, revealing a vengeful ghost that is really just the Director’s own tortured memory, stuck on a constant loop. Only when confronted by his legacy does the Director’s self-torture finally cease—and when it does, so does Tex. The virtual ghost that haunted both his thoughts and the Reds and the Blues is finally laid to rest.

Case No. 2: GLaDOS (Portal)

Copyright © 2011 by Valve.
Copyright © 2011 by Valve

GLaDOS (voiced by Ellen McLain) makes for an excellent and memorable video game villain. She never misses an opportunity to taunt the player, she has surprising control over the Enrichment Center and all its defenses (from automatic turrets to death traps), and she has proven that killing off scores of human beings has been very easy for her in the past. But in Portal 2, we get a glimpse at another side of her and who she used to be.

Exploring the ruins of Old Aperture Science, we learn about the mad company founder Cave Johnson, whose massive ego and terrible ideas were barely kept in check with the help of his eager, long-suffering assistant Caroline (also voiced by Ellen McLain). It’s never explained how or when it happened, but because of Cave’s dying wishes, Caroline ended up becoming the human mind uploaded into the mainframe that would become GLaDOS. And as GLaDOS herself admits, Caroline is the often-ignored (and once-deleted) voice of conscience deep inside her circuitry.

Much like how Tex was born from the Director’s inability to escape his own memories and guilt, GLaDOS was born out of the madness that permeated Aperture Science. While Caroline was devoted to science and keeping her boss sane, GLaDOS was devoted to testing and actively flooded the Enrichment Center with neurotoxin. Some fans have interpreted that GLaDOS’s own rage is actually a displacement of the shock and anger felt by Caroline at her forced conversion from woman into machine. She faithfully carries on the legacy of Cave Johnson, but without any of Caroline’s empathy. She runs Aperture Science alone, trapped inside a facility of her own design, burnt free of compassion and using what precious humanity she has left to mock and break her few remaining test subjects.

Case No. 3: The Ice King (Adventure Time)

Copyright © 2012 by Cartoon Network
Copyright © 2012 by Cartoon Network

On the surface, Adventure Time is a kid’s show about heroes fighting monsters in the colorful, mythical land of Ooo. But once you dig beneath the surface, you learn about the Mushroom War, the Lich, and all the horrors that preceded this happy-go-lucky world in the present day.

By that same token, the Ice King is just as complex. He starts off as a recurring villain who’s obsessed with kidnapping princesses and making Princess Bubblegum in particular his bride. But over the course of their adventures, Finn and Jake eventually see Ice King as less of a threat and more of a pathetic old man trying to cope with his lonely existence.

Then comes the episode “Holly Jolly Secrets.” We see a glimpse into the past: that the Ice King was once a man named Simon Petrikov. After finding the Ice Crown, he drove away his fiancee Betty and survived the aftermath of the Mushroom War. Despite making friends with a young Marceline, the Crown has warped his body and his mind, keeping him alive and powerful at the cost of his sanity. Only briefly does he begin to show signs of being Simon. Otherwise, the Ice King is too far gone to even realize he was ever anyone else, lost in his own fantasy world.

What really gets me about this character isn’t just the sense of how The Dark Side Will Make You Forget. It’s also a look into dementia and Alzheimer’s, and the toll they take on both the victims and their loved ones. Watching Marceline (both young and old) trying to reason with Simon’s fractured mind is heartbreaking, especially when he never means her any harm despite his madness. The recent episode entitled “Betty” has raised some interesting possibilities about the Ice King’s future development, but for now, he remains—just like Tex and GLaDOS—a prisoner inside his own mind, his memories warped by the passage of time and the temptation of power.


If there’s anything to be drawn from these three character studies, I suppose it’s important to look at who they used to be and what they gave up—or were forced to give up. In all three cases, the original good person was twisted into a terrifying new entity based on someone else’s good intentions, whether it’s the Director of Project Freelancer, Aperture Science, or the Ice Crown. It’s not the corruption of a Satanic influence per se. More like Frankenstein’s monster, where basic decency was snuffed out because of a weak or selfish creator.

So, what lesson can we take away from these broken and twisted minds? We have a responsibility to one another, a duty to consider our choices and how they affect others. And we have a responsibility to what we create, whether for good or evil.


If you have your own thoughts or opinions about this phenomenon, or want to add another character to the mix, feel free to share in the comments below.

First Look: RWBY

Copyright © 2013 by Rooster Teeth Productions.
Copyright © 2013 by Rooster Teeth Productions.

Last Thursday was the start of something magical: a fantastic new webseries created by Monty Oum (of Dead Fantasy and Haloid fame) and Rooster Teeth Productions (the makers of the long-running Red Vs. Blue series). This series is a love letter to anime like Soul Eater and fighting games like Final Fantasy, with a dash of rock music by Jeff Williams and great voice acting from the folks at Rooster Teeth.

The series focuses on four girls who attend Beacon Academy, a school that trains Huntsmen and Huntresses in the use of magic–or “Dust”–to fight the numerous monsters that have plagued the world since the dawn of time. With a combination of Dust and extremely powerful weapons, the four girls of Team RWBY (Ruby Rose, Weiss Schnee, Blake Belladonna, and Yang Xiao Long) set out to save the world from villains and demons alike.

Copyright © 2013 by Rooster Teeth Productions.
Copyright © 2013 by Rooster Teeth Productions.

While the first full episode, “Ruby Rose,” premiered last Thursday, there’s been quite a lot of buildup for the series since last November. Four trailers  emerged over the course of several months, introducing each of the four girls, their respective fighting styles, and the overall tone of the show. Ruby’s a boisterous and plucky acrobat with an enormous sniper-scythe. Weiss is an elegant swordswoman, surrounded by snow and sorrow. Blake is a strong fighter with a whip-blade and gun, tormented by her dark past and a relationship with the equally dark Adam. And then there’s Yang, blonde and perky as she uses superpowered gauntlet-guns to beat her enemies into submission with a smile on her face.

But the first episode, after giving us a short monologue on the monsters that populate the world and the Dust that humans use to fight them, puts the focus on Ruby. When she nearly stops the robbery of a Dust shop, her skill with Crescent Rose (a.k.a. her High-Caliber Sniper-Scythe) attracts the attention of Beacon Academy. Ruby is invited to join the school, where her sister Yang is already enrolled and eager for her to join.

Copyright © 2013 by Rooster Teeth Productions.
Copyright © 2013 by Rooster Teeth Productions.

“Ruby Rose” sets up both the fantastic world in which RWBY takes place and the premise of the show: magical girls fighting villains and monsters with insanely-powerful weapons and grace. But in between the beautifully animated action scenes that are Monty Oum’s trademark, there’s still plenty of comedy (Ruby is quite the adorable motor mouth) and some nice subtle moments of introspection and drama. It gives the audience its adrenaline high, then brings it down in a gentle lull with jokes and curiosity about the world that Oum and Rooster Teeth have created.

If the trailers and the first episode are anything to go by, then this series is going to be action, adventure, and art in one very alluring package.

RWBY is available on the Rooster Teeth website and the Rooster Teeth YouTube channel. New episodes air on Thursdays.

Bibliography: RWBY.  Directed by Monty Oum. Written by Miles Luna, Kerry Shawcross, and Matt Hullum. Produced by Burnie Burns and Kathleen Zuelch. Music by Jeff and Casey Lee Williams. Rooster Teeth Productions. July 18, 2013 – present.

Poetry In Both Motion And Music: “Falling Toward The Sky” by Jeff Williams

Last August, I wrote a review for the entire soundtrack to Season Eight of the popular webseries Red Vs. Blue.  And while most of the soundtrack to Season Nine was just as good, there’s one song in particular that I really want to get into.

The fifteenth episode of Season Nine, “The Sarcophagus,” shows us the legendary Freelancers in action, pulling off a spectacular heist that sends scores of enemy troops to an early grave and wipes out an entire skyscraper with a single orbital laser blast.  Said blast causes the Freelancers to evacuate with their prize by jumping from the roof… and plunging into a visually amazing CGI free fall as they try to rendezvous with their Pelican transport.  While having to fight off enemy ships and gunfire in midair.

Who needs 3D when we can pull off visuals like this? Copyright © 2011 by Rooster Teeth Productions.

The entire tone of the episode changes at this moment.  Naturally, so does the soundtrack, bringing us the appropriately titled “Falling Into The Sky” by Red Vs. Blue composer Jeff Williams.

The song starts out as a simple twinkling of delicate notes and Casey Williams’ ethereal vocals (“Falling toward the skywaiting for my ride…”).  Then, at thirty-one seconds in, the ethereal melody falls straight into a hyper-paced hip-hop styling by Lamar Hall, with Casey Williams’s chorus floating somewhere behind it all.  This change is also nicely timed for the free fall scene, too (bringing us “back” to the Freelancers’ mission, as it were).  At two minutes in, we get a pretty awesome guitar solo and some equally good guitar licks at 2:15, followed by one last chorus to finish us off.

Overall, it’s a great song by itself, but it’s best appreciated when matched with the free fall scene from this RvB episode.  It’s got ethereal grace, sweet rapping, and a little rock-n’-roll for everyone.

“Falling Into The Sky” and the Red Vs. Blue season nine soundtrack are both available for download from iTunes.  The episode in which this song premiered, “The Sarcophagus,” can be seen on the Rooster Teeth website.

Bibliography: Williams, Jeff.  “Falling Toward The Sky (feat. Lamar Hall and Casey Lee Williams).”  Red Vs. Blue: Season 9 Soundtrack.  CD.  Austin: Rooster Teeth Productions, 2011.

Awesome Music For An Awesome Season: The “Red Vs. Blue: Revelation” Soundtrack

Copyright © 2010 by Jeff Williams. Distributed by Rooster Teeth Productions.

As some of my readers may remember, I’m a huge fan of the webseries Red Vs. Blue and that I wrote a review for it in August of 2010.  I’m also a huge fan of soundtrack albums, which stimulate me a lot when I’m writing.  As much as I enjoy a good visual, I can really enjoy that same visual with the right background music.

So here’s my take on the soundtrack to the eighth season of Red Vs. Blue, Red Vs. Blue: Revelation, on a track by track basis.

Track 1: “Agent Tex”

The first track of the album is great for two reasons: it evokes every great moment from the fight in Episode 10 of Revelation and features actual lines spliced throughout the song.  The melody is a fast-paced folk beat with choral voices in the background (and why does adding a choir to anything make it more epic in tone?).

Agent Tex is a bit of a badass.”  There’s an understatement if I ever heard one and the music just bears it out.

Track 2: “Prelude”

This is just a slightly more-than-a-minute-long track that gives a taste of the music you’ll hear in Track 3, but it’s still a worthwhile snippet.

Track 3: “Boss Battle”

Tex Vs. The Meta and Agent Washington.  Fucking yes.  What other music could be set to that fight than heavy drums and guitar, all fitting in with the punches being thrown and the shots being dodged amidst a snowy backdrop.

Track 4: “Ice Fight”

I love how this track opens with a gentle tinkling of piano (or something that sounds similar to one, I’m not entirely sure which).  It’s evocative of snow falling, lasting for just a few seconds right before punching straight into the epic guitar riff and choir of the continuing fight sequence between the three biggest badasses in the RvB series.

Track 5: “Plagam Extremam Infligere”

The name for this track is derived from an ancient Latin phrase that roughly means, “killing someone violently.”  And if you’ve already seen Episode 19 of the series, then you’ll know just how violently that someone is, um, killed.

I rather like how this track starts out using some of the same rock melodies as the previous two songs, but then it segues into this weird, almost atonal chant of “Plagam Extremam Infligere.”  However, the percussion in the background of this chant more than makes up for it in my opinion.

Track 6: “The Pelican Has Landed”

The moment you hear this song begin, you immediately want to start banging your head and pumping your fist into the air.  Just a nice bass line with some good drums and a cool, slow build-up.

Picture a line of would-be heroes going off to battle, arming and suiting up for the biggest fight of their lives.  This is the music that sends them off.

Track 7: “Rally (Sarge’s Speech)”

It’s legitimately stirring and kinda surprising when you consider how much of a comedy show this webseries is.  But that goes double for the scene it’s set to in the show, taking a long-running gag and turning it into dramatic material on the eve of a truly climatic finale.

Track 8: “Red Vs. Blue”

This is pure rock n’ roll and a great theme for the entire show.  Not much else to be said here.

Track 9: “Epilogue”

This is the music which plays over the final monologue and scenes at the end of Season 8.  It really doesn’t sound like anything else in the show and I think it’s appropriate that it doesn’t.  The mood is soft and reflective, unlike any of the quirky dialogue or ramped-up fight scenes we’d seen up until this point.

Track 10: “Forge World”

For a song that’s only forty-three seconds long, it requires a little backstory for those who don’t watch every video released by Rooster Teeth.  Last year, the Halo franchise came out with its latest installment, Halo: Reach, which updated the animation style.  Consequently, Rooster Teeth came out with a miniseries to do the same for RvB and to promote the new game.

The final video of the miniseries gave us this goofy little song by Sarge, which also allowed fans to get a major glimpse of how in-depth and lovingly detailed this new in-game landscape was.

Track 11: “Your Best Friend”

Yet another comedic little song that doesn’t appear in the actual eighth season, this is just a catchy melody that Caboose sings about how he views his “friendship” with Church–a very one-sided, if not delusional, relationship.  I admit that there are parts where I had trouble understanding what he was saying, but after a few listens, you get the idea.  It’s both funny and creepy (which everyone knows is the best kind of funny…).

Track 12: “I Am The Best”

Church sings about how he’s the best and… that’s it, really.  It’s a kind off nice hip-hop derivative, and if not the content and quality of the song, I normally wouldn’t be as interested in it (not being that big a hip-hop fan to begin with).

Track 13: “Sarge’s Blues”

In yet another catchy and comedic song, we get Sarge singing about Blue Team in a classic rhythm-and-blues melody.  It’s quite a fun little song, especially with Sarge’s spoken asides or how he waxes lyrical about shooting the Blue Team soldiers with his shotgun–repeatedly.

Track 14: “Grifball Jam”

Again, a little backstory.  Based on an early joke from Season 4, Rooster Teeth used the Halo engine to develop its own web-based game known as “Grifball.”  This music is what plays in the background while you play and it’s energetic to match.

Track 15: “Hijo De P**a Triste”

I just love the title of this song (although it’s a nice, slow one, too).  For those who don’t speak Spanish, it means, “sad son of a bitch.”  But as for the song itself, it’s got a little Spanish flair and feels reminiscent of a surfer tune.

Track 16: “Agent Tex (Instrumental)”

It’s just “Agent Tex” without the dialogue mixed in.  Still rocks, though.

Track 17: “Revelation Suite Ost Version”

Essentially, it’s a blend of “Boss Battle,” “Ice Fight,” and “Plagam Extremam Infligere,” but it’s also the same sequence as how the music is heard during the entire fight sequence in Episode 19 of Revelation.

Track 18: “Red Vs. Blue Ost Version”

Again, it’s the same as Track 5, but with a slightly different quality, which is how it’s heard on the end credits for Revelation.

Track 19: “I Say Ooh”

This is just a happy little song by Jeff Williams and Sandy Casey, with Casey as the female vocal.  Doesn’t have too much to do with the RvB series as far as I can tell, but it’s a nice way to end the album.

Final Verdict: Just As Fun To Listen As It Is To Watch

The whole soundtrack is pure delight, from the epic rock tracks that play over the major fight scenes to the comic little asides thrown in just for the fans.  Like watching the videos, you’ll want to hear this music over and over again, hoping you might produce something as high-quality as what Jeff Williams and Company have given us.

Red Vs. Blue Revelation Soundtrack is available for download on iTunes here.

Bibliography: Williams, Jeff.  Red Vs. Blue Revelation Soundtrack.  CD.  Austin: Rooster Teeth Productions, 2010.

These Are Not The Soldiers You’re Looking For: The Red Vs. Blue Machinima Series

Copyright © 2003, Rooster Teeth Productions. All Rights Reserved.

Machinima is a relatively new genre based on a simple idea: take a video game and use it to make an animated movie or online series.  Of course, it requires a lot of skill with such games to know how to work the graphics in a cinematic way, but the end results can be quite entertaining.

Probably the most triumphant example of a machinima series is the long-running show Red vs. Blue, developed by Rooster Teeth Productions with the popular Halo video game series.  It is currently within its eighth season, and has been consistently given high marks for its inventive uses of the Halo games, its non-stop humor, and its memorable characters.

The protagonists of Red vs. Blue are a group of would-be soldiers who are initially based in a box canyon and split into Red and Blue Teams.  They’re meant to be constantly fighting as teams against each other, but for the most part, all they do is sit around and bicker.  This premise is funny enough, but when more serious elements like the Freelancers, aliens, and a malevolent AI called O’Malley are added to the mix, the show becomes both more dramatically powerful and more hilarious over time.

This show does story arcs very well, sometimes branching them out across whole seasons.  The first five seasons are known collectively as Red vs. Blue: The Blood Gulch Chronicles.  From then on, each season has its own unique title and underlying plot, carrying such story-suggestive names as Reconstruction, Recreation, and Revelation.  And since Season 4, there’s also been a miniseries between each season to explore different aspects of the show and highlight less story-involved moments with the two teams.

For all the warfare and military tropes that the show plays around with, I think the real humor comes out of the actual cast, who don’t seem to treat their job like real soldiers.  If anything, they’re more like jaded video gamers who are way out of their league, which makes their interaction with the more professional Freelancers and all the very real threats hilarious.  It also makes any actual achievements on the battlefield a real treat to watch.

If you’re a serious gamer or Halo fan, this series will be an absolute delight.  And even if you’re not, its humor is still a good reason to watch.  New episodes can be seen Monday nights on Rooster Teeth’s website here.

Bibliography: Red vs. Blue (online machinima series).  Created by Burnie Burns, Matt Hullum, Geoff Ramsey, Gustavo Sorola, and Jason Saldaña.  Directed by Burnie Burns and Gavin Free.  Rooster Teeth Productions,  April 1, 2003 – Present.